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I imagine this timing most likely established during the Palladium age but I have not validated that. Eddie Torres started teaching and promoting this timing start in the 1980's, from what I recognize. He was mentored by the late June Laberta, a ballroom dancing teacher, that aided him establish his method and timing.


The story I'm regularly told below, that still needs further examination, is that as salsa started reaching brand-new target markets outside of the Caribbean and New York City, it was less complicated and a lot more user-friendly to teach social outsiders to dance On1 rather than On2. This tale doesn't account for the reality that I've listened to Rueda de Casino site was originally danced a tiempo On3 in Cuba.


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Salsa On1 is simply one of numerous salsa timings you can dance to and it is one of the most typical timing you'll discover in the world today. Salsa On1 timing definition: "On1" suggests you start dancing on the initial beat of the bar of music the 1. Your break actions (instructions adjustments) are on beats 1 and 5.


The exceptions I have actually found until now, where On2 is most usual, would certainly be around New York and in South Korea (Salsa San Francisco). I make certain there are other areas that dance generally On2 yet I have not danced in every country yet! If you're not sure what timing is most common where you live, ask your regional dancing studio


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When a person says "I dance salsa On1" they possibly indicate "I dance linear design salsa On1" (although you can dance any type of style of salsa On1, people usually indicate linear design). Don't stress if you've stated these things before, it's all excellent all of us have! The crucial thing is to keep in mind there's a distinction in between style and timing and grow your understanding so you can be much more exact when speaking about salsa with your pals.


It links well with the phrasing in the music, specifically the piano, and other percussion tools like the cow bell and giro. Timing and design are 2 various things, so separate the concepts when you chat concerning salsa with your friends. Regardless of what timing is most usual in your region of the globe, remember you can technically dance any type of style of salsa to any type of timing discover and enjoy!


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There is an original mambo dancing that came from Cuba and after that spread out to Mexico and New York in the 40s and 50s, these days when somebody states "I dance mambo" they imply salsa On2, which is various than the initial mambo dancing. The erratic free-from steps of the original mambo were danced solo.




As the dance began to spread, On1 timing started to end up being preferred. Salsa On2 interpretation: "On2" means you start dancing on the initial beat of the bar of songs the 2.


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A lot of dancers appreciate dancing On2 for the diverse means you can link to the music. Son cubano is the songs and dancing that came before mambo and salsa.


It connects well to the clave, bass and conga - Bachata San Francisco. Cha-cha is much like dance On2 contratiempo yet you include the triple action on 4 and 8. Danced to the very same beats as On1, your break steps are now on 2 and 6, which changes the feel of the dance.


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It links well with the website here conga and cowbell. https://www.metal-archives.com/users/dancefrisfca. This timing is nearly the same to contratiempo On2 yet the actions that are normally on 4 and 8 are on 4. 5 and 8. 5 instead half a beat later on, which lines up with the syncopated tone of the conga. It's nearly like a timing in between a tiempo and contratiempo.


5 rather of 5) you're dancing this syncopated timing. In reality it seems it's commonly danced as kind of a "blunder" for anybody dancing the previous 2 timings.


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As stated previously, this was the initial interpretation of dancing on clave (kid clave), where the Puerto Ricans would certainly align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to line up as lots of steps of your standard as feasible with the strikes of the kid clave.


The point regarding music and dancing is that there is no right or wrong. There is simply interpretation. You can dance on any timing you such as! Naturally, individuals have located a way to dance on virtually every timing feasible to son and salsa songs. Individuals dance On3 for the exact same reason you dance On1 since it emphasizes the solid beats of 1-3-5-7.


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Allow's consider the beats you dance On1 to: -2-, -6- (strong beats remain in bold) Let's look at the beats you dance On3 to: -4-, -8- (strong beats remain in bold) Notification how the strong beats are spaced specifically the very same for On1 and On3? All you do is start stepping On3 rather than On1.


That's why dancing On3 is so typical in Latin America. Individuals either Attempt to dance On1 yet start stepping On3 by mishap and it exercises simply penalty, or They do not know much about timing and are just translating what they listen to in the music, based on their experience growing up in a culture with salsa.

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